Window controls

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Information that can be retrieved with WinSpy: Window/control handle Window title Control text Window/control class Control ClassNN Window/control position Window/control size (window and client dimensions) Cursor position (relative to screen, window or client) Window/control styles Window/control Information that can be retrieved with WinSpy: Window/control handle Window title Control text Window/control class Control ClassNN Window/control position Window/control size (window and client dimensions) Cursor position (relative to screen, window or client) Window/control styles Window/control

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And cymbals Create metallic sounds Tips for extreme sounds Utility instruments External Instrument Klopfgeist Vintage B3 overview Main window overview Draw bar controls Scanner Vibrato and Chorus Percussion effect Use preset keys MIDI setup overview Use multiple or multichannel controllers Use a single-channel controller Rotor Cabinet window overview Advanced Cabinet parameters Advanced Motor parameters Advanced Brake parameters Microphone types Microphone parameters Options window overview Master and Click controls Morph parameters Use Morph controls Use the integrated effects EQ controls Wah effect controls Distortion effect controls Reverb effect controls Expert window overview Pitch controls Sustain controls Condition controls Organ Model controls Set a MIDI control mode MIDI mode: Roland VK or Korg CX MIDI mode: Hammond Suzuki MIDI mode: Native Instruments B4D MIDI mode: Nord Electro MIDI mode: Crumar Additive synthesis with draw bars The residual effect Tonewheel sound generation A brief Hammond history The Leslie cabinet Vintage Clav overview Vintage Clav interface Main window overview Vintage Clav models Model characteristics Use Pickup parameters Use Stereo Spread Effects window overview Compressor effect controls Distortion effect controls Modulation effect controls Wah effect controls Details window overview Excite and Click parameters String parameters Pitch parameters Misc parameters Extended parameters D6 Clavinet history D6 mechanical details Vintage Electric Piano overview Vintage Electric Piano interface EQ controls Drive effect controls Chorus effect controls Phaser effect controls Tremolo effect controls Model controls Pitch controls Extended parameters Rhodes models Hohner and Wurlitzer models MIDI controller assignments Vintage Mellotron overview Vintage Mellotron controls Legacy instruments overview Bass Church

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Left of the three-dot button. After clicking out of the modal dialog, the icon is removed from the overlay.For Chromium browsers displayed in right-to-left (RTL) languages, the order within the window controls overlay will be flipped, and the overlay will appear in the upper-left corner of the client area.The window controls overlay will always be on top of the web content's Z order and will accept all user input without flowing it through to the web content. See Coordinate System.If the OS and browser support a colored title bar, the window controls overlay would use the "theme_color" from the manifest as the background color. When hovered over and clicked, the controls should honor the operating system design behavior. If a colored title bar is not supported, the window controls overlay will be drawn in the theme supported by the OS and browser.The desire to place content into the title bar area and use an overlay for the window controls will be declared within the web app manifest by adding the window-controls-overlay display override. This display override will be ignored on Android and iOS.{ "display_override": [ "window-controls-overlay" ]}Working Around the Window Controls OverlayWeb content will need to be aware of the UA reserved area of the window controls overlay and ensure those areas aren't expecting user interaction. This overlay can be worked around similar to the way developers work around notches in a phone screen.In the example of Windows operating systems, window controls are either drawn on the upper right or

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Bass sound Synthetic sound programming overview Program a sustained synthesizer sound Program morphed sounds Studio Bass overview Main view parameters Details view parameters Keyswitch mapping String and position MIDI Out channel assignments Studio Horns overview Extended parameters Keyswitch mapping Section MIDI channel assignments Studio Piano Studio Strings overview Extended parameters Keyswitch mapping Section MIDI channel assignments Ultrabeat overview Ultrabeat interface Assignment section overview Play and select drum sounds Name, swap, and copy drum sounds Import sounds and sampler instruments Settings Synthesizer section overview Oscillator overview Oscillator 1 phase oscillator mode Use oscillator 1 FM mode Oscillator 1 side chain mode Oscillator 2 phase oscillator mode Waveform characteristics Use oscillator 2 sample mode Use oscillator 2 model mode Ring modulator controls Noise generator controls Filter section controls Distortion circuit controls Output section overview Two-band EQ parameters Use pan modulation mode Use stereo spread mode Voice volume control Trigger mode controls Ultrabeat modulation overview Mod and via modulation Create a mod routing Set MIDI controllers A–D Use the LFOs Envelope overview Envelope parameters Modulation target display Ultrabeat step sequencer overview Step sequencer basics Step sequencer interface Global sequencer controls Pattern controls Use the swing function Step grid overview Create and remove steps Ultrabeat trigger shortcut menu Set step lengths and velocities Set step accents Use the Step grid full view Step automation overview Use the offset row Export Ultrabeat patterns as MIDI regions Step sequencer MIDI control Ultrabeat sound programming overview Create kick drums Create snare drums Create tonal percussion Create hi-hats and cymbals Create metallic sounds Tips for extreme sounds Utility instruments External Instrument Klopfgeist Vintage B3 overview Main window overview Draw bar controls Scanner Vibrato and Chorus Percussion effect Use preset keys MIDI setup overview Use multiple or multichannel controllers Use a single-channel controller Rotor Cabinet window overview Advanced Cabinet parameters Advanced Motor parameters Advanced Brake parameters Microphone types Microphone parameters Options window overview Master and Click controls Morph parameters Use Morph controls Use the integrated effects EQ controls Wah effect controls Distortion effect controls Reverb effect controls Expert window overview Pitch controls Sustain controls Condition controls Organ Model controls Set a MIDI control mode MIDI mode: Roland VK or Korg CX MIDI mode: Hammond Suzuki MIDI mode: Native Instruments B4D MIDI mode: Nord Electro MIDI mode: Crumar Additive synthesis with draw bars The residual effect Tonewheel sound generation A brief Hammond history The Leslie cabinet Vintage Clav overview Vintage Clav interface Main window overview Vintage Clav models Model characteristics Use Pickup parameters Use Stereo Spread Effects window overview Compressor effect controls Distortion effect controls Modulation effect controls Wah effect controls Details window overview Excite and Click parameters String parameters Pitch parameters Misc parameters Extended parameters D6 Clavinet history D6 mechanical details Vintage Electric Piano overview Vintage Electric Piano interface EQ controls Drive effect controls Chorus effect controls Phaser effect controls Tremolo effect controls Model controls Pitch controls Extended parameters Rhodes models Hohner and Wurlitzer models MIDI controller assignments Vintage Mellotron overview Vintage Mellotron controls Legacy instruments overview Bass Church. Information that can be retrieved with WinSpy: Window/control handle Window title Control text Window/control class Control ClassNN Window/control position Window/control size (window and client dimensions) Cursor position (relative to screen, window or client) Window/control styles Window/control

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From the center of the dab, which is useful for cloning images with transparency. To sample color from the center of the dab • In the Clone Color panel (Window Brush Controls Panels Brush Media Clone Color), enable the Precise Sampling check box. To set clone type • In the Clone Color panel (Window Brush Controls Panels Brush Media Clone Color) or Clone Method panel (Window Brush Controls Panels Brush Media Clone Method), choose a type from the Type list box. To constrain painting in the destination • In the Clone Color panel (Window Brush Controls Panels Brush Media Clone Color) or Clone Method panel (Window Brush Controls Panels Brush Media Clone Method), enable the Obey Source Selection check box. To reproduce the source selection information in the destination selection • In the Clone Color panel (Window Brush Controls Panels Brush Media Clone Color) or Clone Method panel (Window Brush Controls Panels Brush Media Clone Method), enable the Copy Source Selection check box. To tile clone source • In the Clone Color panel (Window Brush Controls Panels Brush Media Clone Color) or Clone Method panel (Window Brush Controls Panels Brush Media Clone Method), enable the 4-Point Tiling check box. To set clone location variability • In the Clone Method panel (Window Brush Controls Panels Brush Media Clone Method), perform a task from the following table. To Do the following Increase the range (distance) that the sample can be offset In the Clone Location area, move the Variability slider to the

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Rotor Cabinet window overview Advanced Cabinet parameters Advanced Motor parameters Advanced Brake parameters Microphone types Microphone parameters Options window overview Master and Click controls Morph parameters Use Morph controls Use the integrated effects EQ controls Wah effect controls Distortion effect controls Reverb effect controls Expert window overview Pitch controls Sustain controls Condition controls Organ Model controls Set a MIDI control mode MIDI mode: Roland VK or Korg CX MIDI mode: Hammond Suzuki MIDI mode: Native Instruments B4D MIDI mode: Nord Electro Additive synthesis with draw bars The residual effect Tonewheel sound generation A brief Hammond history The Leslie cabinet Vintage Clav overview Vintage Clav interface Main window overview Vintage Clav models Model characteristics Use Pickup parameters Use Stereo Spread parameters Effects window overview Compressor effect controls Distortion effect controls Modulation effect controls Wah effect controls Details window overview Excite and Click parameters String parameters Pitch parameters Misc parameters Extended parameters D6 Clavinet history D6 mechanical details Vintage Electric Piano overview Vintage Electric Piano interface EQ controls Drive effect controls Chorus effect controls Phaser effect controls Tremolo effect controls Model controls Pitch controls Extended parameters Rhodes models Hohner and Wurlitzer models MIDI controller assignments Vintage Mellotron overview Vintage Mellotron controls Legacy instruments overview Bass Church Organ Drum Kits Electric Clav(inet) Electric Piano Guitar Horns Piano Sound Effects Strings Tuned Percussion Voice Woodwind Tonewheel Organ Analog Basic Analog Mono Analog Pad Analog Swirl Analog Sync Digital Basic Digital Mono Digital Stepper External Instrument Hybrid Basic Hybrid Morph Synthesizer basics overview Sound basics

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And cymbals Create metallic sounds Tips for extreme sounds Utility instruments External Instrument Klopfgeist Vintage B3 overview Main window overview Draw bar controls Scanner Vibrato and Chorus Percussion effect Use preset keys MIDI setup overview Use multiple or multichannel controllers Use a single-channel controller Rotor Cabinet window overview Advanced Cabinet parameters Advanced Motor parameters Advanced Brake parameters Microphone types Microphone parameters Options window overview Master and Click controls Morph parameters Use Morph controls Use the integrated effects EQ controls Wah effect controls Distortion effect controls Reverb effect controls Expert window overview Pitch controls Sustain controls Condition controls Organ Model controls Set a MIDI control mode MIDI mode: Roland VK or Korg CX MIDI mode: Hammond Suzuki MIDI mode: Native Instruments B4D MIDI mode: Nord Electro MIDI mode: Crumar Additive synthesis with draw bars The residual effect Tonewheel sound generation A brief Hammond history The Leslie cabinet Vintage Clav overview Vintage Clav interface Main window overview Vintage Clav models Model characteristics Use Pickup parameters Use Stereo Spread Effects window overview Compressor effect controls Distortion effect controls Modulation effect controls Wah effect controls Details window overview Excite and Click parameters String parameters Pitch parameters Misc parameters Extended parameters D6 Clavinet history D6 mechanical details Vintage Electric Piano overview Vintage Electric Piano interface EQ controls Drive effect controls Chorus effect controls Phaser effect controls Tremolo effect controls Model controls Pitch controls Extended parameters Rhodes models Hohner and Wurlitzer models MIDI controller assignments Vintage Mellotron overview Vintage Mellotron controls Legacy instruments overview Bass Church Organ Drum Kits Electric Clav(inet) Electric Piano Guitar Horns Piano Sound Effects Strings Tuned Percussion Voice Woodwind Tonewheel Organ Analog Basic Analog Mono Analog Pad Analog Swirl Analog Sync Digital Basic Digital Mono Digital Stepper External Instrument Hybrid Basic Hybrid Morph Synthesizer basics overview Sound basics overview Tones, overtones, harmonics, and partials The frequency spectrum Other waveform properties Synthesizer fundamentals How subtractive synthesizers work Subtractive synthesizer components Oscillators Filters overview Cutoff frequency Resonance Filter drive Filter slope Amplifier envelope overview Attack, decay, sustain, and release Modulation overview Modulation routing in ES1 and ES2 Common modulation sources Global controls Other synthesis methods overview Sample-based synthesis Frequency modulation (FM) synthesis Component modeling synthesis Wavetable, Vector, and LA synthesis Additive synthesis Spectral synthesis Resynthesis Phase distortion synthesis Granular synthesis Precursors to the synthesizer Early voltage-controlled synthesizers The Minimoog Storage and polyphony Digital synthesizers Glossary Copyright Logic Pro features an extensive collection of guitar and bass amplifiers and classic pedal effects. You can play live—or process recorded audio and software instrument parts—through these amps and effects.The amplifier models recreate vintage and modern tube and solid-state amps. Built-in effect units, such as reverb, tremolo, or vibrato, are also reproduced. The modeled amplifiers can be paired

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Modulation overview Mod and via modulation Create a mod routing Set MIDI controllers A–D Use the LFOs Envelope overview Envelope parameters Modulation target display Ultrabeat step sequencer overview Step sequencer basics Step sequencer interface Global sequencer controls Pattern controls Use the swing function Step grid overview Create and remove steps Ultrabeat trigger shortcut menu Set step lengths and velocities Set step accents Use the Step grid full view Step automation overview Use the offset row Export Ultrabeat patterns as MIDI regions Step sequencer MIDI control Ultrabeat sound programming overview Create kick drums Create snare drums Create tonal percussion Create hi-hats and cymbals Create metallic sounds Tips for extreme sounds Utility instruments External Instrument Klopfgeist Vintage B3 overview Main window overview Draw bar controls Scanner Vibrato and Chorus Percussion effect Use preset keys MIDI setup overview Use multiple or multichannel controllers Use a single-channel controller Rotor Cabinet window overview Advanced Cabinet parameters Advanced Motor parameters Advanced Brake parameters Microphone types Microphone parameters Options window overview Master and Click controls Morph parameters Use Morph controls Use the integrated effects EQ controls Wah effect controls Distortion effect controls Reverb effect controls Expert window overview Pitch controls Sustain controls Condition controls Organ Model controls Set a MIDI control mode MIDI mode: Roland VK or Korg CX MIDI mode: Hammond Suzuki MIDI mode: Native Instruments B4D MIDI mode: Nord Electro MIDI mode: Crumar Additive synthesis with draw bars The residual effect Tonewheel sound generation A brief Hammond history The Leslie cabinet Vintage Clav overview Vintage Clav interface Main window overview Vintage Clav models Model characteristics Use Pickup parameters Use Stereo Spread Effects window overview Compressor effect controls Distortion effect controls Modulation effect controls Wah effect controls Details window overview Excite and Click parameters String parameters Pitch parameters Misc parameters Extended parameters D6 Clavinet history D6 mechanical details Vintage Electric Piano overview Vintage Electric Piano interface EQ controls Drive effect controls Chorus effect controls Phaser effect controls Tremolo effect controls Model controls Pitch controls Extended parameters Rhodes models Hohner and Wurlitzer models MIDI controller assignments Vintage Mellotron overview Vintage Mellotron controls Legacy instruments overview Bass Church. Information that can be retrieved with WinSpy: Window/control handle Window title Control text Window/control class Control ClassNN Window/control position Window/control size (window and client dimensions) Cursor position (relative to screen, window or client) Window/control styles Window/control Information that can be retrieved with WinSpy: Window/control handle Window title Control text Window/control class Control ClassNN Window/control position Window/control size (window and client dimensions) Cursor position (relative to screen, window or client) Window/control styles Window/control

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Mapping Studio Strings overview Extended parameters Keyswitch mapping Section MIDI channel assignments Ultrabeat overview Ultrabeat interface Assignment section overview Play and select drum sounds Name, swap, and copy drum sounds Import sounds and sampler instruments Settings Synthesizer section overview Oscillator overview Oscillator 1 phase oscillator mode Use oscillator 1 FM mode Oscillator 1 side chain mode Oscillator 2 phase oscillator mode Waveform characteristics Use oscillator 2 sample mode Use oscillator 2 model mode Ring modulator controls Noise generator controls Filter section controls Distortion circuit controls Output section overview Two-band EQ parameters Use pan modulation mode Use stereo spread mode Voice volume control Trigger mode controls Ultrabeat modulation overview Mod and via modulation Create a mod routing Set MIDI controllers A–D Use the LFOs Envelope overview Envelope parameters Modulation target display Ultrabeat step sequencer overview Step sequencer basics Step sequencer interface Global sequencer controls Pattern controls Use the swing function Step grid overview Create and remove steps Ultrabeat trigger shortcut menu Set step lengths and velocities Set step accents Use the Step grid full view Step automation overview Use the offset row Export Ultrabeat patterns as MIDI regions Step sequencer MIDI control Ultrabeat sound programming overview Create kick drums Create snare drums Create tonal percussion Create hi-hats and cymbals Create metallic sounds Tips for extreme sounds Utility instruments External Instrument Klopfgeist Vintage B3 overview Main window overview Draw bar controls Scanner Vibrato and Chorus Percussion effect Use preset keys MIDI setup overview Use multiple or multichannel controllers Use a single-channel controller Rotor Cabinet window overview Advanced Cabinet parameters Advanced Motor parameters Advanced Brake parameters Microphone types Microphone parameters Options window overview Master and Click controls Morph parameters Use Morph controls Use the integrated effects EQ controls Wah effect controls Distortion effect controls Reverb effect controls Expert window overview Pitch controls Sustain controls Condition controls Organ Model controls Set a MIDI control mode MIDI mode: Roland VK or Korg CX MIDI mode: Hammond Suzuki MIDI mode: Native Instruments B4D MIDI mode: Nord Electro Additive synthesis with draw bars The residual effect Tonewheel sound generation A brief Hammond history The Leslie cabinet Vintage Clav overview Vintage Clav interface Main window overview Vintage Clav models Model characteristics Use Pickup parameters Use Stereo Spread parameters Effects window overview Compressor effect controls Distortion effect controls Modulation effect controls Wah effect controls Details window overview Excite and Click parameters String parameters Pitch parameters Misc parameters Extended parameters

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Parameters Advanced Motor parameters Advanced Brake parameters Microphone types Microphone parameters Options window overview Master and Click controls Morph parameters Use Morph controls Use the integrated effects EQ controls Wah effect controls Distortion effect controls Reverb effect controls Expert window overview Pitch controls Sustain controls Condition controls Organ Model controls Set a MIDI control mode MIDI mode: Roland VK or Korg CX MIDI mode: Hammond Suzuki MIDI mode: Native Instruments B4D MIDI mode: Nord Electro MIDI mode: Crumar Additive synthesis with draw bars The residual effect Tonewheel sound generation A brief Hammond history The Leslie cabinet Vintage Clav overview Vintage Clav interface Main window overview Vintage Clav models Model characteristics Use Pickup parameters Use Stereo Spread Effects window overview Compressor effect controls Distortion effect controls Modulation effect controls Wah effect controls Details window overview Excite and Click parameters String parameters Pitch parameters Misc parameters Extended parameters D6 Clavinet history D6 mechanical details Vintage Electric Piano overview Vintage Electric Piano interface EQ controls Drive effect controls Chorus effect controls Phaser effect controls Tremolo effect controls Model controls Pitch controls Extended parameters Rhodes models Hohner and Wurlitzer models MIDI controller assignments Vintage Mellotron overview Vintage Mellotron controls Legacy instruments overview Bass Church Organ Drum Kits Electric Clav(inet) Electric Piano Guitar Horns Piano Sound Effects Strings Tuned Percussion Voice Woodwind Tonewheel Organ Analog Basic Analog Mono Analog Pad Analog Swirl Analog Sync Digital Basic Digital Mono Digital Stepper External Instrument Hybrid Basic Hybrid Morph Synthesizer basics overview Sound basics overview Tones, overtones, harmonics, and partials The frequency spectrum Other waveform properties Synthesizer fundamentals How subtractive synthesizers work Subtractive synthesizer components Oscillators Filters overview Cutoff frequency Resonance Filter drive Filter slope Amplifier envelope overview Attack, decay, sustain, and release Modulation overview Modulation routing in ES1 and ES2 Common modulation sources Global controls Other synthesis methods overview Sample-based synthesis Frequency modulation (FM) synthesis Component modeling synthesis Wavetable, Vector, and LA synthesis Additive synthesis Spectral synthesis Resynthesis Phase distortion synthesis Granular synthesis Precursors to the synthesizer Early voltage-controlled synthesizers The Minimoog Storage and polyphony Digital synthesizers Glossary Copyright You can adjust the timing and pitch of audio regions in the Audio Track Editor using Flex Time and Pitch. Using the Audio Track Editor for editing the timing and pitch of audio allows you to keep Flex mode off in the Tracks area, which is useful when you want the Tracks area to show automation, for example.. Information that can be retrieved with WinSpy: Window/control handle Window title Control text Window/control class Control ClassNN Window/control position Window/control size (window and client dimensions) Cursor position (relative to screen, window or client) Window/control styles Window/control

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Tips Source elements overview Additive element controls Additive element effects Spectral element controls Spectral element effects Pitch correction controls Formant filter controls Granular element controls Sampler element controls VA element controls Source modulations Morph controls Alchemy source edit window overview Inspector global controls Inspector group controls Inspector zone controls Keymap editor Zone waveform editor Additive edit window overview Partial bar display Partial envelope controls Spectral edit window Main filter controls Filter types Alchemy master voice section Alchemy modulation overview Modulation rack controls LFO controls AHDSR envelope controls Multiple segment envelope controls Sequencer Envelope follower parameters ModMap parameters MIDI control modulators Note property modulators Perform control modulators Performance controls overview Transform pad Performance control knobs XY pad controls Performance control envelopes Alchemy arpeggiator overview Basic arpeggiator controls Arpeggiator sequencer controls Arpeggiator menu commands Use the arpeggiator Alchemy effects overview Dynamic and utility effects Filter effects Modulation effects Reverb effects Alchemy Extended parameters Alchemy tutorial introduction Basic synthesis tweaks Create sounds from scratch Elemental morphs overview Morph use and tips Morph drum beats Morph melodic sounds Manipulate loops Drum Kit Designer overview Edit pane Use Drum Kit Designer Extended parameters Drum Kit Designer mappings Drum Machine Designer overview Drum Machine Designer interface Grid kit controls Grid pad controls bar Use pad controls Kit Tone and Effect Smart Controls pane Kit Piece Tone and Effect Smart Controls pane Drum Synth overview Drum Synth Kicks Drum Synth Snares and Claps Drum Synth Percussion Drum Synth Hats and Cymbals ES1 overview Oscillator parameters overview Oscillator