Waves stereo imager

Can adjust the threshold, range, gain, release, and output level of each processor independently. You can also use the envelope switch to change the behavior of the processors from peak-based to RMS-based. Trans-X Trans-X is a plugin that offers a transient shaper effect. It allows you to enhance or reduce the attack and sustain of your audio signals. You can adjust the range, sensitivity, duration, release, and output level of up to four frequency bands independently. You can also use the sidechain function to trigger the transient shaping from an external source, or use the wideband switch to apply the same processing to all frequency bands. Stereo and Sonic Enhancers Stereo and sonic enhancers are effects that improve the quality and perception of your audio signals. They can help you widen or narrow the stereo image, center or spread the low-end, add brightness or warmth, or boost the overall loudness. Waves Complete V9.6 offers a variety of stereo and sonic enhancers that use advanced algorithms and features. Here are some of the stereo and sonic enhancers that you can find in Waves Complete V9.6: S1 Stereo Imager S1 Stereo Imager is a plugin that offers a powerful and flexible stereo enhancement effect. You can adjust the width, rotation, asymmetry, and output level of your stereo signal. You can also use the shuffle switch to add some low-end punch to your signal, or use the MS matrix switch to convert your signal from stereo to mid/side or vice versa. Center Center is a plugin that offers a simple and effective way to control the center and sides of your stereo signal. You can adjust the level, bass, treble, and width of the center and sides independently. You can also use the punch switch to add some extra clarity and presence to your center signal, or use the high-pass filter switch to remove any unwanted low frequencies from your sides signal. Vitamin Sonic Enhancer Vitamin Sonic Enhancer is a plugin that offers a multiband harmonic enhancer effect. It allows you to add some sparkle, warmth, body, and punch to your tracks by adjusting the level and saturation of up to five frequency bands independently. You can also use the solo function to isolate each band for fine-tuning, or use the direct switch to blend in some of the original signal. Submarine Submarine is a plugin that offers a subharmonic generator effect. It allows you to add some deep and powerful low-end to your tracks by generating two subharmonic frequencies from your original signal. You can adjust the level, range, drive, dynamics, crossover, and output level of each subharmonic frequency independently. You can also use the filter switch to apply a high-pass filter

Registered User Joined: May 2012 Posts: 146 🎧 10 years Stereo Imager for Mastering? hey I was just checkin out if it would be more effective to use a stereo imager plugin (izotope ozone 5) for the master channel.or for each seperate instrument channelthanks alot.peace. My 2 cents: Widening the master is a risky business, there's often no improvement and if there is the spot is very small, e.g. 1-10% widening (probably more like 1-4%),, after that, horrible things start to happen that arent instantly obvious in the moment, when you're enjoying that fizz on the outside of the speakers! On tracks it's different, esp. for background effects. Also hard panning tracks, and/or one or two complex panning effects on some parts (here, widening can work just great), works great for a proper stereo sound.Caveat is that I'm an amateur and can only speak about my own painful amateur experiences! Hope that helpsGeorge Registered User Joined: May 2012 Posts: 146 🎧 10 years yo thanks for your input man, yeah i agree ive experimented myself and it works alot better by just putting the plugin on seperate instruments.wanted to know what every1 else was doing though. what vst do u use for stereo widening?peace. I use the waves S1 on tracks, and always for midside eq. I'm sure there are better out there but it's a good plug. Mid-side eq is another one btw - don't expand the stereo, shrink the stereo of the bass and kick [edit: using MS eq on the master bus, not on the tracks] (make it more mono - it should be mono in the tracks too, but this can still help) - mid-side all of the bass out of the side (I'm not expert but a relatively gentle slope but taken up to the mid-high end of the bass guitar, or those notes at least, i.e. quite severe.) When I hear wide stereo in pro tracks, it's almost always twinkly and fizzing, i.e. its the highs that are wide. The contrast when you mid-side eq is another step on the way to that sound,

Includes the following plug-ins [PC and MAC versions]: Aphex Vintage Aural Exciter API 2500 API 550 API 560 AudioTrack Bass Rider Brauer Motion BSS DPR-402 Butch Vig Vocals C1 Compressor C360 Surround Compressor C4 Multiband Compressor C6 Multiband Compressor Center CLA Bass CLA Drums CLA Effects CLA Guitars CLA MixDown CLA MixHub CLA Unplugged CLA Vocals CLA-2A Compressor / Limiter CLA-3A Compressor / Limiter CLA-76 Compressor / Limiter Cobalt Saphira Codex Wavetable Synth dbx® 160 Compressor / Limiter DeBreath DeEsser Doppler Dorrough Stereo Dorrough Surround Doubler Eddie Kramer Bass Channel Eddie Kramer Drum Channel Eddie Kramer Effects Channel Eddie Kramer Guitar Channel Eddie Kramer Vocal Channel Electric Grand 80 Piano Element 2.0 Virtual Analog Synth eMo D5 Dynamics eMo F2 Filter eMo Generator eMo Q4 Equalizer Enigma F6 Floating-Band Dynamic EQ GEQ Graphic Equalizer Greg Wells MixCentric Greg Wells PianoCentric Greg Wells ToneCentric Greg Wells VoiceCentric GTR3 Amps GTR3 Stomps GTR3 ToolRack GTR3 Tuner H-Comp Hybrid Compressor H-Delay Hybrid Delay H-EQ Hybrid Equalizer H-Reverb Hybrid Reverb IDR360 Bit Re-Quantizer InPhase InPhase LT IR1 Convolution Reverb IR360 Convolution Reverb IR-L Convolution Reverb IR-Live Convolution Reverb JJP Bass JJP Cymbals & Percussion JJP Drums JJP Guitars JJP Strings & Keys JJP Vocals Kramer HLS Channel Kramer Master Tape Kramer PIE Compressor L1 Ultramaximizer L2 Ultramaximizer L3 Multimaximizer L3 Ultramaximizer L3-16 Multimaximizer L360 Surround Limiter L3-LL Multimaximizer L3-LL Ultramaximizer LFE360 Low-Pass Filter Linear Phase EQ Linear Phase Multiband Compressor LoAir M360 Surround Manager & Mixdown Manny Marroquin Delay Manny Marroquin Distortion Manny Marroquin EQ Manny Marroquin Reverb Manny Marroquin Tone Shaper Manny Marroquin Triple D Maserati ACG Maserati B72 Maserati DRM Maserati GRP Maserati GTi Maserati HMX Maserati VX1 MaxxBass MaxxVolume MetaFilter MetaFlanger MondoMod Morphoder MV2 MV360 NLS Non-Linear Summer NS1 Noise Suppressor OneKnob Brighter OneKnob Driver OneKnob Filter OneKnob Louder OneKnob Phatter OneKnob Pressure OneKnob Pumper OneKnob Wetter PAZ Analyzer Primary Source Expander PRS SuperModels PS22 Stereo Maker PuigChild Compressor PuigTec EQs Q10 Equalizer Q-Clone R360 Surround Reverb Renaissance Axx Renaissance Bass Renaissance Channel Renaissance Compressor Renaissance DeEsser Renaissance Equalizer Renaissance Reverb Renaissance Vox S1 Stereo Imager S360 Surround Imager & Panner Scheps 73 Scheps Omni Channel Scheps Parallel Particles Sibilance Smack Attack SoundShifter Sub Align SuperTap Torque Trans-X TrueVerb UltraPitch UM225 / UM226 V-Comp V-EQ3 V-EQ4 Vitamin Sonic Enhancer Vocal Rider VU Meter W43 Noise Reduction Plugin Waves Tune Waves Tune LT Waves Tune Real-Time WLM Plus Loudness Meter WNS Noise Suppressor X-Click X-Crackle X-FDBK X-Hum X-Noise Z-NoiseWith over 165 stellar plugins and more than 400 components, Mercury features more Waves in one package than ever before!From equalizers, reverbs, compressors and limiters to noise reduction, surround processors, modeled analog console modules, Signature Series collections and beyond, there has never been such a comprehensive collection as this. The Mercury bundle offers more effects, more channel components and more mixing tools than ever before in one place.You may also find more information about this product on manufacturer's website.You may buy Waves Complete 10 v2019 or download it from our website.This product was released

From my experience at least. I think that's my 4c now Registered User Joined: Mar 2012 Posts: 1,128 🎧 10 years Always make sure to check in mono after you add a stereo imager make sure it's not out of phase. Also waves has a Paz analyzer which is great to pull up and just see exactly how wide your image is going. You don't want it to drift in that anti phase zone and disappear when it's played in mono. Lives for gear Joined: Jul 2011 Posts: 1,660 🎧 10 years Registered User Joined: Nov 2011 Posts: 493 🎧 10 years Quote: Originally Posted by GJ999x ➡️ My 2 cents: Widening the master is a risky business, there's often no improvement and if there is the spot is very small, e.g. 1-10% widening (probably more like 1-4%),, after that, horrible things start to happen that arent instantly obvious in the moment, when you're enjoying that fizz on the outside of the speakers! On tracks it's different, esp. for background effects. Also hard panning tracks, and/or one or two complex panning effects on some parts (here, widening can work just great), works great for a proper stereo sound.Caveat is that I'm an amateur and can only speak about my own painful amateur experiences! Hope that helpsGeorge What he said. Widening using a stereo imager on the master bus more often than not causes problems rather than fixes them. GJ999x was right when he said you may not notice the damage when you're doing it. If you absolutely have to do it, adjust the image ever so slightly and try referencing other material to keep your perception grounded. You don't want to find yourself listening to a widened stereo image for an extended period of time and have it affect your perception on how wide it actually SHOULD be. Lives for gear Joined: Aug 2007 Posts: 952 🎧 15 years If you have a perfect listening environment, using MS widening carefully can bring you the magic touch you're looking for. Registered User Joined: May 2012 Posts: 146 🎧 10 years okay

You can also find in the right side section the options to modify the texture of the crackle and noise.Compatibility:Izotope Vinyl is available for Windows 10 or higher and macOS High Sierra (10.13.6) or higher on Intel Macs & Apple silicon Macs (Apple M1 chips) in Rosetta 2 and native. It comes in VST2/3, AU, and AAX formats, all in 64 bits only.Summary:With easy-to-use UI, Izotope Vinyl is an excellent choice for crafting vintage effects quickly and effectively. Moreover, it is free.Related Reading:Top 6 Tape Stop Plugins You Can Get (Free & Paid)10. Imager 2More Info & DownloadControl the Width/Stereo Image using the free Izotope Ozone imager 2The free Ozone Imager 2 offers simple controls and methods to modify the stereo image of any given track. The width can also be easily automated, which makes it an ideal Mixbuss imager.Key Features:Modify the WidthWiden or narrow the sound using the width control to make them sit in the mix. Stereoize has two modes option, which converts the mono signal into a stereo without the use of modulation effects or reverb. In addition, the imager that comes with the Ozone bundle has a multi-band mode.See the information on the sidesImager has three vectorscopes which help understand the information on the left and right channels. The Vectorscopes will help you understand the stereo-phase coherency of your track better.Compatibility:Izotope Imager is available for Windows 7 or higher and OS X 10.11.6 (El Capitan)–macOS 10.15 (Catalina) on Intel Macs only. It comes in VST2/3, AU, and AAX formats, all in 64 bits only.Summary:Controlling the imaging is one of the best benefits of digital audio, and the Izotope imager has a simple but elegant way of doing that with stereoize and width control.Related Reading:Top 10 Stereo Imaging Plugins (Best Old & Modern Picks)Bonuses:Vocal DoublerMore Info &