Submarine films

Seeing you! more or less a perfectly directed film -- sturges takes full advantage of the wide panavision frame, conveys intrigue by juxtaposing carefully arranged groups of men vs. isolated shots of individual characters, with the wide master shots equaling harmony and close-ups/shot-reverse shots meaning disunity. he barely moves the camera at all before the intermission, creating a discrete world aboard the submarine, then once you're out of that vessel he starts doing more luxurious (but still restrained) pans and tracking shots. i mean, this is stuff that simply doesn't exist any longer, no working director today has the patience or formal discipline to make this kind of jargon-heavy military thriller, it's a dead genre that perished when the tom clancy aesthetic… An American submarine is sent urgently on a rescue mission to the Arctic after a British weather station sends a distress signal. Along with the crew come a couple of mysterious operatives, a fact that makes the captain think that he hasn't been told the whole truth about his mission's real objective.Big budget spy yarn that tries to be the thinking man's James Bond but fails spectacularly. While the visuals are at times impressive (with the exception of the snow which looks comically fake) the film suffers from a dull story (despite its monumental stakes) and a bloated runtime which ruins the pace. The first half is especially frustrating to sit through because nothing of importance happens and we… Director John Sturges often gets overlooked when people start to discuss influential directors within a particular genre of film. Sturges' Westerns are what drew me towards his filmography in the first place, with The Magnificent Seven, Gunfight at the OK Corral, Last Train from Gun Hill, The Law and Jake Wade, and Backlash all fabulous films in their own right. Sturges' filmography is one that's ripe to be re-evaluated, and that's exactly what I've decided to do over the next few months by picking off a few more than I've never seen before, starting with Sturges' Cold War espionage thriller, Ice Station Zebra. Alistair MacLean wrote several novels that were adapted for the screen, some of which he even wrote… If Jim Brown and Ernest Borgnine are ever helicoptered onto your submarine, you know your mission has just become a bunch-of-guys-on-a-mission.This is the least lean of Alistair MacLean’s guys-on-a-mission adaptations. It’s also the one that takes itself most seriously and suffers for it. It’s burdened with an Overture, Entre’acte and drained of the wry humor and self-awareness of the genre’s inherent implausibility that make The Guns of Navarone, and Where Eagles Dare such classics. The Cold War is at its coldest and most ironic A British spy camera (engineered by their captured WWII German scientists) and loaded with American film (invented by their captured German scientists) and launched into space in a Soviet rocket (developed by their captured German… I have a soft spot for 70mm roadshow films of the 1960s, especially those that, like this one, aren’t entirely

27, 2012Geoffrey William Hughes was an English actor known for his versatile roles in television and film. He provided the voice of Paul McCartney in the animated film "Yellow Submarine" and gained fame for portraying Eddie Yeats in "Coronation Street." He also played Onslow in "Keeping Up Appearances" and "Twiggy" in "The Royle Family." Hughes portrayed Vernon Scripps in the ITV series "Heartbeat," showcasing his talent as a conman and loveable rogue. His career spanned decades, leaving a lasting impact on British television.Birth Year: 1942Birthplace: Greenville, South Carolina, USABo Hopkins was an American actor known for his supporting roles in major studio films from 1969 to 1979. He gained recognition for his breakout role in the ensemble cast of American Graffiti. Throughout his career, he appeared in numerous films and TV shows, showcasing his versatility and talent as an actor. Hopkins' credits include a wide range of genres, demonstrating his ability to bring depth and authenticity to his characters. He made a significant impact in the entertainment industry with his memorable performances. 31 John Saunders(Canadian-American Sports Journalist)Birth Year: 1955Birthplace: Toronto, CanadaDied: August 10, 2016John Saunders was a well-known Canadian-American sports journalist who made a name for himself through his work at ESPN and ABC. Beginning his career in 1986, he dedicated himself to sports reporting until his passing in 2016. Saunders was respected for his coverage of various sports events and was praised for his insightful commentary and professional demeanor. He established a solid reputation for his on-air performance and

Scores to the Beatles films "A Hard Day's Night" and "Yellow Submarine."Martin remained with the Beatles until the band's disbanding in the early 70s. He contributed heavily to "Abbey Road," and supervised the Beatles' final recording session, which saw the recording of "I Me Mine." After the band broke up, Martin worked with the individual members on solo albums and songs, including Ringo's album "Sentimental Journey" and Paul McCartney and Wings' single "Live and Let Die." Martin also produced McCartney's solo albums "Tug of War" and "Pipes of Peace," among others. Due to his critical contributions, Martin has been dubbed a "fifth Beatle."Martin worked on dozens of albums, including "Help!", "…and I Love Her", "London by George", "British Maid", "Yellow Submarine", "Live and Let Die", "Beatles to Bond and Bach", "In My Life", and "Produced by George Martin". He arranged the film scores for "Yellow Submarine", "Live and Let Die", "A Hard Day's Night", "The Family Way", and "Honky Tonk Freeway".Frederick M. Brown/Getty ImagesAssociated Independent RecordingThrough his independent company Associated Independent Recording, Martin produced a plethora of hit artists and songs. Among the notable acts he worked with were David and Jonathan, the Master Singers, Celine Dion, Gary Brooker, Neil Sedaka, Jeff Beck, Cheap Trick, and America. Later in his career, Martin worked with Dire Straits, Elton John, and Pete Townshend, whose musical stage production "The Who's Tommy" he produced the soundtrack album for.Later CareerMartin worked on "The Beatles Anthology" and, in 2006, used the group's music to arrange the Vegas show "Love". Martin is often described as the "Fifth Beatle" for his influence within the band, though the nickname apparently didn't sit well with John Lennon. Martin's memoir, "All You Need is Ears", came out in 1979. He later published "Summer of Love: The Making of Sgt Pepper". Martin was nominated for an Oscar for Scoring of Music for 1964's "A Hard Day's Night". He won several Grammy Awards, including Best Contemporary Album for producing "Sgt. Pepper's Lonely Hearts Club Band" in 1967 and Album of the Year for the same record.Personal Life and DeathIn early 1948, Martin wed Sheena Chisholm, whom he had met two years earlier when they were both in the Royal Navy choir. The couple had two children named Alexis and Gregory before divorcing in early 1965. During his marriage, Martin carried out an affair with his secretary Judy Smith; they eventually married in 1966 following Martin's divorce from Chisholm. The pair had two children named Lucie and Giles.Martin passed away in his sleep in March of 2016 at his home in Wiltshire, England. He was 90 years of age. All net worths are calculated using data drawn from public sources. When provided, we also

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Is, Sergeant(Cut the cable, drop the cable)Aye-aye, sir, aye-ayeCaptain, captainAs we live a life of ease (a life of ease)Every one of us (every one of us)Has all we need (has all we need)Sky of blue (sky of blue)And sea of green (sea of green)In our yellow (in our yellow)Submarine (submarine, aha)We all live in a yellow submarineA yellow submarine, yellow submarineWe all live in a yellow submarineA yellow submarine, yellow submarineWe all live in a yellow submarineYellow submarine, yellow submarineWe all live in a yellow submarineYellow submarine, yellow submarine We were -- knee deep in the Big Muddy,But the big fool said to push on.The Sergeant said, "Sir, are you sure,This is the best way back to the base?""Sergeant, go on! I forded this river'Bout a mile above this place. In the town where I was bornLived a man who sailed to seaAnd he told us of his lifeIn the land of submarinesSo we sailed on to the sun'Til we found a sea of greenAnd we lived beneath the wavesIn our yellow submarineWe all live in a yellow submarineYellow submarine, yellow submarineWe all live in a yellow submarineYellow submarine, yellow submarineAnd our friends are all aboardMany more of them live next doorAnd the band begins to playWe all live in a yellow submarineYellow submarine, yellow submarineWe all live in a yellow submarineYellow submarine, yellow submarineFull steam ahead, Mister Boatswain, full steam aheadFull steam ahead it is, Sergeant(Cut the cable, drop the cable)Aye-aye, sir, aye-ayeCaptain, captainAs we live a life of easeEvery one of us (every one of us)Has all we need (has all we need)Sky of blue (sky of blue)And sea of green (sea of green)In our yellow (in our yellow)Submarine (submarine, aha)We all live in a yellow submarineA yellow submarine, yellow submarineWe all live in a yellow submarineA yellow submarine, yellow submarineWe all live in a yellow submarineYellow submarine, yellow submarineWe all live in a yellow submarineYellow submarine, yellow submarine We're Sergeant Pepper's Lonely Hearts Club BandWe hope you will enjoy the showSergeant Pepper's Lonely Hearts Club BandSit back and let the evening goSergeant Pepper's LonelySergeant Pepper's LonelySergeant

­A submarine or a ship can float because the weight of water that it displaces is equal to the­ weight of the ship. This displacement of water creates an upward force called the buoyant force and acts opposite to gravity, which would pull the ship down. Unlike a ship, a submarine can control its buoyancy, thus allowing it to sink and surface at will. To control its buoyancy, the submarine has ballast tanks and auxiliary, or trim tanks, that can be alternately filled with water or air (see animation below). When the submarine is on the surface, the ballast tanks are filled with air and the submarine's overall density is less than that of the surrounding water. As the submarine dives, the ballast tanks are flooded with water and the air in the ballast tanks is vented from the submarine until its overall density is greater than the surrounding water and the submarine begins to sink (negative buoyancy). A supply of compressed air is maintained aboard the submarine in air flasks for life support and for use with the ballast tanks. In addition, the submarine has movable sets of short "wings" called hydroplanes on the stern (back) that help to control the angle of the dive. The hydroplanes are angled so that water moves over the stern, which forces the stern upward; therefore, the submarine is angled downward. To keep the submarine level at any set depth, the submarine maintains a balance of air and water in the trim tanks so that its overall density is equal to the surrounding water (neutral buoyancy). When the submarine reaches its cruising depth, the hydroplanes are leveled so that the submarine travels level through the water. Water is also forced between the bow and stern trim tanks to keep the sub level. The submarine can steer in the water by using the tail rudder to turn starboard (right) or port (left) and the hydroplanes to control the fore-aft angle of the submarine. In addition, some submarines are equipped with a retractable secondary propulsion motor that can swivel 360 degrees. When the submarine surfaces,